Jalapeño and her mom, Notcho, are part of a group of Atlantic Spotted dolphins who have been instrumental to the development of my choreographic approach. Although this pod lives far from shore, they initiated a relationship with a few scientists and naturalists more than 30 years ago; and humans and dolphins continue to deepen this relationship today. I have returned for yearly rehearsals with these dolphins, who first inspired the initiation of the Dolphin Dance Project. As you see in the video, both humans and dolphins continue to learn  about how we can dance together.

The triple loop you see in the video is new for Jalapeño this year … it is also rather new for me. You haven’t seen such sustained interactions before partly because of the breath hold training that was required for me to achieve them. Jalapeño, on the other hand, has had to develop the coordination for and interest in sustaining an interaction with a human. Doing three loops together is an example of how, through years of observing each other and working together, we are developing a movement ‘‘language” that humans and dolphins can share to express our mutual interest in playing and making dance together.

Doing multiple loops with humans is clearly not a stereotyped reaction; not all dolphins engage us in this way, even when we are dancing and playing together. Jalapeño had to learn how to do this … most likely from following along with her mother the previous year. This is consistent with the scientific research of Richard Connor and others that have reported on wild dolphins learning specialized behaviors from their mothers. I wonder what new skills Jalapeño will have learned next year?

Jalapeño’s mother, Notcho, was a youngster, about 4 years old – and with just a few spots – when she first met humans in the 1970s. Decades later, and now a mature mother with many, many spots, she brings her daughter to meet her human friends. It was a great privilege to be introduced to Jalapeño last year… incredibly heartwarming to see her growing up this year … and a joy to imagine how things may progress in the future.

Among the first humans Notcho met was Hardy Jones. A journalist and film-maker so dedicated to cetaceans he is known as ‘the Dolphin Defender’. We are very fortunate to have Hardy as a new advisor to our project. You can read more about Hardy’s discovery of Notcho’s pod – and much more about protecting dolphins – in his new book, “The Voice of the Dolphins”. (We recommend it.)

We endorse the work of Hardy Jones’ BlueVoice and other organizations that endeavor to protect dolphins and whales. Families like Notcho and Jalapeno’s are ripped apart when dolphins are hunted, killed as bycatch in fishing gear, or captured for aquariums. We hope that the attention our films bring to these amazing creatures inspires respect and protection for all wild dolphins and their habitats. To learn more about the threats that dolphins face and how to mitigate them, please visit our Protecting Dolphins page.

Thank you for your support of the Dolphin Dance Project.

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Chisa Hidaka, founder of the Dolphin Dance Project, translated and edited a report on the 2010-11 dolphin hunt in Taiji, Japan that will be distributed at the IWC. Researched and written by Sakae Hemmi of the Elsa Nature Conservancy, the report challenges the degree to which dolphin hunting can be described as “traditional” and documents the government’s failure to supervise it. The English summary of “The Dolphin Drive Hunt: Appropriate Management?” is posted below; the full report (Japanese) can be found at the Elsa website.  Hardy Jones of Blue Voice, a long-time advocate for dolphins and whales, will distribute the summary at the IWC and give a press conference on the Japanese dolphin hunt.

Representing 89 countries, the IWC has been in the past and could continue to be a powerful force for protecting all cetaceans. It is time that its members recognized that, given all the human activities imposing severe survival pressure on cetaceans (oil and radiation spills, mercury and other pollutants, fishing, boating, sonar, ocean acidification and more) commercial whaling is now environmentally and economically unsustainable. We urge the IWC to shift its focus entirely to conservation. On this year’s IWC agenda is a proposal to create a South Atlantic whale sanctuary – we hope this will be passed and rigorously enforced.

We are proud to support cetacean conservation efforts through our films and other efforts. For more information on protecting dolphins and their habitat, please visit our Protect page and related blog post.

Thank you for your support of the Dolphin Dance Project!

The Dolphin Drive Hunt: Appropriate Management?

Observations from the Emergency Extension of the Hunting season of the Dolphin Drive Hunt in Taiji

The following is a summary of the report of Sakae Hemmi of Elsa Nature Conservancy (ENC) investigating the circumstances of the unusual suspension and resumption of the dolphin drive hunts in Taiji this year (2011), as well as ENC’s assessment of the current state of the dolphin drive hunt in Japan. The major findings were as follows:

Irregularities in the dolphin drive hunt season were found to have occurred due to a severe decline (to zero) of the pilot and false killer whale catches in February. The extension of the hunting season through May to attempt to fill the quotas for those species was found to be legal and within the regulation of Wakayama.  Pressure from foreign pro-cetacean activists was likely not a significant contributing factor in the suspension or extension of the hunting season.

Inquiries to the Japan Fisheries Agency and the fisheries section of Wakayama prefecture regarding the regulation of hunt seasons and catch quotas revealed systemic deficiencies in the management of the dolphin drive hunt. Catch quotas were calculated and administered in a manner that systematically responded to the needs of fishermen but ignored the biology and ecology of dolphins, making them irrelevant as a mechanism for supporting the sustainable use/consumption of dolphins as a marine resource. Oversight was lacking, with all catch data reported by fishermen in the absence of independent or scientific verification. Enforcement was weak, with no penalties in place for the mismanagement of quotas. In Futo the quota system failed to prevent or explain the depletion of striped dolphin stocks. A similar trend in Taiji is not unlikely.

Despite previous appeals from ENC to the Ministry of Health, Labor and Welfare, the Consumer Affairs Agency and other relevant agencies, toxicity information was still missing from the labels of packaged dolphin meat. In some of the samples tested for this investigation, levels of PCBs were 19.2 times the allowable national limit.(See the table attached.)

Glaring inconsistencies in the official position of the Japanese government with the realities of the town of Taiji were found. Records showed that while whaling does date back 400 years, the “traditional” whaling actually ended in 1878 after a whaling disaster that decimated the Taiji whaling fleet. Regular dolphin drive hunts date back only 42 years to 1969 when pilot whales were captured on a large scale for display at the Taiji Whale Museum. Currently only 8.5% of the people in the town  are employed in the fisheries and only about 100 people at the most depend on whaling or whaling-related activities for their livelihood. Historical records and demographic data do not support the contention that “Taiji is a ‘Whaling Town’ that cannot survive without whaling.”

By supporting the dolphin drive hunts, the policies and position of the Japanese government harm not only dolphins but the health and well being of Japanese people, particularly in Taiji. We are hopeful for a change that will bring our nation closer to those of other ‘modern’ countries and with contemporary, global views about the appropriate treatment of wild animals and natural resources.

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I’m very proud to present it here…not only is it my first completed video project, but the first which I shot myself! I have Amphibico to thank for the new underwater housing – they are a new sponsor of Dolphin Dance. I must also thank Dolphin Dream’s Captain Scott for a ton of expert guidance on shooting the video. Of course, much thanks goes to the Japanese women – Moriko and Kazuyon – whose love and dedication to the dolphins is what provides the whole basis of the video’s message. And not to forget – the biggest thanks goes to the beautiful Atlantic Spotted dolphins who generously share their playfulness and creativity with us! I hope you will enjoy the video and forward it to as many people as you can – especially in Japan.

Takaji Ochi is a well-known Japanese underwater photographer who has been facilitating trips to swim with dolphins for the last 10 years. Sporting the deep tan of a dedicated sea-man, Taka, as the American crew call him, is a true dolphin lover if ever there was one. He has even named a couple of the juvenile dolphins on White Sand Ridge after his own sons, Kaito and Hayato. Taka is very charismatic, so it’s no wonder he has a dedicated following amongst his clients many of whom had returned for their 4th, 5th or even 9th time. Most days Taka dived with us, shooting pictures of dolphins as well as human-dolphin interactions so that many of us had beautifully professional photos of ourselves with dolphins to boast by the end of the week (see the photos at Taka’s blog about this trip). For the many who brought their own (wow! high end) cameras Taka also reviewed photos, offering helpful hints on improving their shots. Yet, for the ladies (and one man) who were on the trip, this trip was not only about Taka or even about photography. For these wonderfully dedicated people, it was an annual pilgrimage – just to connect with the dolphins.

Moriko and Kazuyon are the particularly beautiful ‘dancers’ in the video. But they were not the only accomplished divers; and during the week, I learned that the reason for this was not only the fact of having participated in so many trips with Taka. Most of my new Japanese friends had also been to Mikura Island to play with dolphins – but more remarkable – many, including Moriko and Kazuyon – practice weekly in a pool in preparation for their trips. These are truly dedicated dolphin ‘dancers’. They practice breath holding so they can dive down further and longer to be with the dolphins. They perfect their ‘dolphin kicks’ so they can more like the dolphins, to be allowed ever closer to them. And I think it’s obvious to see on the video – the dolphins clearly appreciate the effort, rewarding them with enchanting ‘dances’.

Does it seem surprising that there are a group of Japanese women who are so dedicated to connecting with wild dolphins that they practice weekly in a pool? Does it seem surprising that there is a Japanese photographer who loves dolphins and whales so much that he spends almost half the year leading trips to photograph them? I ask because all the recent media coverage of The Cove and of Japanese whaling could make a person think that most Japanese people wanted only to kill and eat cetaceans.

As it turned out, Taka knew even more about the dolphin slaughters than someone would learn from watching The Cove. He was a journalist prior to becoming a professional underwater photographer and he covered the dolphin-slaughter story when it was exposed in other Japanese fishing villages – Futo and Iki – decades ago. In 1979, Hardy Jones, Dexter Cate, Ric O’Barry and Sakae Henmi (among others) exposed the killing of dolphins in these villages through a series of photographs, and in 1992 Jones made a film for CBS and National Geographic that brought the issue to international attention. Hardy’s photos and films showed scenes almost identical to the horrific ones shown in The Cove…bloodied beaches with thousands of dying dolphins. Taka and other Japanese reporters wrote about the slaughter in Japanese newspapers; and they were largely halted. Indeed, that is likely why the hunts in Taiji had to be carried out in such secrecy.

Taka told me that back then, it wasn’t a move to protect the intelligent, self-aware dolphin that resulted in the end of the hunts in Futo and Iki. He told me that what got a response from the Japanese people – and Japanese government – was the revelation that the fishermen were killing animals far in excess of the government-set quotas. Regulations  were being flouted – but not only that – more animals were being killed than necessary for food. This waste of life was morally reprehensible to Japanese citizens, who were emboldened to support an end to, or at least a severe reduction of dolphin killing.

This kind of reasoning may be unsatisfactory for many American dolphin lovers, who often rant, ‘Why can’t they understand that dolphins are intelligent, sentient beings whose right to life must be protected?’ But I think it reflects an important reality about the international conversations regarding cetacean conservation. Japanese people understand very well that dolphins are intelligent. But that is not what is most appealing or important from a Japanese point of view. To protect dolphins in Japan, messages that speak to Japanese perspectives must be honed. Preventing wasteful killing could be a goal for Taiji, where the dolphins are too toxic (mercury) to eat anyway. And we must listen to what people in Japan specifically love about dolphins…and how that may differ from an American or Western appreciation.

Over dinner I talked about this with Maki Maki, who was on her 9th trip with Taka. Although a hobbyist, she is very serious about photographing the dolphins and whales, having also traveled with Taka to Tonga to photograph Humpbacks. I asked why she was so enamored of the dolphins…why she had been back so many times to Dolphin Dream.

‘Well, it’s impossible to stop, isn’t it?’ she asked in response. And I had to agree I was addicted too. When I pressed her for why that was true for her, she simply said, ‘It’s mysterious, right?’ And I had to agree with that too.

Maki Maki wasn’t being shy or evasive. In a very Japanese way, she was affirming something really important – the mystery. We can’t quite put a finger on why it’s so amazing to be eye to eye with a dolphin. Were the reasons manifest, there would be no reason to return year after year.

I doubt that with an American person, you’d leave the conversation that way…‘It’s mysterious, right?’ The American way is to explain, to self-express. It’s because dolphins are intelligent… they have complex social connections…they are self-aware…because I love them. And while these reasons leave out that critical, subtle internal experience, they make a great platform for why we want to protect dolphins. On the other hand, how do you create an pro-dolphin campaign around ‘mystery’?

That might be one reason there isn’t much of a pro-dolphin campaign in Japan. Despite many people who love dolphins, there is no feeling that that love should be imposed on others. Sadly, what there seems to be instead in Japan is a big mis-information campaign led by the Fishery Ministry trying to convince Japanese people that eating whale and dolphins is some kind of deeply held traditional value. That’s just propaganda. True, small fishing villages have been involved in coastal whaling for centuries; but whale consumption only became widespread in Japan after World War II because of the shortage of other meat during that difficult time. At that time Japanese whaling grew enormously with US support. Prior to that, whales were traditionally protected in many areas of Japan, revered as an incarnation of Ebisu the ocean/fish god. Taka told me that decades ago when Japan did have a ‘grass roots’ pro-cetacean movement, it was indeed focused on spirituality.

My ‘Japanese week’ dolphin cruise was amazing…but this is just the beginning. I am still planning to visit Japan. I will see Moriko and Kazuyon in the fall when they will introduce me to Japanese dolphins at Mikura Island. I can hardly wait!

I also plan to return to White Sand Ridge next summer, but as I do, I am well aware of the uncertainties. Oil from the BP disaster is literally around the corner. Some are hopeful that the oil will not move towards the White Sand Ridge as it passes the Straight of Florida where winds tend to blow in a westerly direction. But others are rightly concerned. It is unknown what hazards may result not only from the oil itself, but from the dispersant Corexit that has been used in untested ways at the site of the leak (rather than on the water’s surface). There is evidence of underwater plumes, much greater than what is visible on the surface that is likely killing everything in its environs. Even if the waters around the White Sand Ridge are ‘safe’…I can’t help thinking about all the dolphins and other marine life along the Florida coast, and of course, in the Gulf of Mexico that are being harmed, sickened and killed. The situation is enraging, disgusting, saddening…how to hold on to hope in times like this? Because we need hope and have courage if we are to keep moving forward and do what it takes to stop off-shore drilling, and discover and develop energy resources that are safer, cleaner, more sustainable.

Wild dolphins reach out to us humans from across a species divide to invite us to play. They invite us to see and experience goodness in ourselves – joy, love, creativity, trust – characteristics we naturally share with dolphins. For this, I am so deeply grateful. As I face all that is difficult – things that are personal or global – I understand more and more how important it is to ‘be like a dolphin’. I understand that I have to nurture my ‘delfin’ qualities – cultivate them – human nature won’t allow them to thrive otherwise. I need to cultivate these qualities because they are my most valuable internal resource – the source of strength and inspiration – that will help me do what I can to make our lives and our world a good and healthy place for all living beings who share planet Earth.

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