Radiohead’s #RHVignette competition inspired us to work with a beautifully textured score, to reach new viewers, and to experiment in a more graphically creative way with the connections between dancing in the studio and underwater.

The competition offers a chance to be promoted by Radiohead on their website, and perhaps to make a video for a future song.  If you like our submission, please share it with friends on Facebook or Twitter.

Below is the alternative, widescreen version:

The film features Kathleen Fisher and Chisa Hidaka, with cinematography by Benjamin Harley. Produced and Directed by Chisa and Ben, it is set to an instrumental version of ‘Daydeaming’, from Radiohead’s new album ‘A Moon Shaped Pool’. The film is dedicated to one of our most generous supporters, who is full of so much love she can embrace both Radiohead and Dolphin Dance Project with room to spare. Special thanks to Jillian Rutledge, Yuki Kusachi, and Kayoko Sawamura for their tremendous contribution to the development of this work.

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Recently, we submitted a brief documentary profile of our work to the Focus Forward film competition, a Vimeo-sponsored initiative to promote the people and ideas that promise a “quantum leap to human progress through innovation”.

“All of a sudden, you realize there are these persons in the ocean.”  Founder and choreographer Chisa Hidaka describes how amazing it is that wild dolphins are able to collaborate in these improvised dances, conversing with us through movement and showing us their tremendous intellectual capacities, curiosity, and generosity.  She also explains that just by watching, the audience is able to experience a profound moment of intimacy and mutual understanding with another species.  As one student relates, after attending one of our lecture presentations, “our traditional perceptions of the dolphin-human divide are just completely … gone.”

Although the film was not selected as a finalist, and will not be one of the films that is being screened this week at the Sundance Film Festival, we are confident that this work is “making a difference to help sow the seeds for a brighter tomorrow.”

The documentary uses excerpts from our upcoming short film, “Dolphin Dreams”.  To learn more about the project, our past and future films, please visit http://dolphin-dance.org.

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Jalapeño and her mom, Notcho, are part of a group of Atlantic Spotted dolphins who have been instrumental to the development of my choreographic approach. Although this pod lives far from shore, they initiated a relationship with a few scientists and naturalists more than 30 years ago; and humans and dolphins continue to deepen this relationship today. I have returned for yearly rehearsals with these dolphins, who first inspired the initiation of the Dolphin Dance Project. As you see in the video, both humans and dolphins continue to learn  about how we can dance together.

The triple loop you see in the video is new for Jalapeño this year … it is also rather new for me. You haven’t seen such sustained interactions before partly because of the breath hold training that was required for me to achieve them. Jalapeño, on the other hand, has had to develop the coordination for and interest in sustaining an interaction with a human. Doing three loops together is an example of how, through years of observing each other and working together, we are developing a movement ‘‘language” that humans and dolphins can share to express our mutual interest in playing and making dance together.

Doing multiple loops with humans is clearly not a stereotyped reaction; not all dolphins engage us in this way, even when we are dancing and playing together. Jalapeño had to learn how to do this … most likely from following along with her mother the previous year. This is consistent with the scientific research of Richard Connor and others that have reported on wild dolphins learning specialized behaviors from their mothers. I wonder what new skills Jalapeño will have learned next year?

Jalapeño’s mother, Notcho, was a youngster, about 4 years old – and with just a few spots – when she first met humans in the 1970s. Decades later, and now a mature mother with many, many spots, she brings her daughter to meet her human friends. It was a great privilege to be introduced to Jalapeño last year… incredibly heartwarming to see her growing up this year … and a joy to imagine how things may progress in the future.

Among the first humans Notcho met was Hardy Jones. A journalist and film-maker so dedicated to cetaceans he is known as ‘the Dolphin Defender’. We are very fortunate to have Hardy as a new advisor to our project. You can read more about Hardy’s discovery of Notcho’s pod – and much more about protecting dolphins – in his new book, “The Voice of the Dolphins”. (We recommend it.)

We endorse the work of Hardy Jones’ BlueVoice and other organizations that endeavor to protect dolphins and whales. Families like Notcho and Jalapeno’s are ripped apart when dolphins are hunted, killed as bycatch in fishing gear, or captured for aquariums. We hope that the attention our films bring to these amazing creatures inspires respect and protection for all wild dolphins and their habitats. To learn more about the threats that dolphins face and how to mitigate them, please visit our Protecting Dolphins page.

Thank you for your support of the Dolphin Dance Project.

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If the video does not play smoothly, please watch on Youtube

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